Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Eight ebony violin fingerboard shape and sized solid fabrications 1758-1773
One of eight long pieces of ebony, partly pierced - violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Pair of ebony violin fingerboard shape and sized hollow fabrications 1758-1773
Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Eight ebony violin fingerboard shape and sized solid fabrications 1758-1773
One of eight long pieces of ebony, partly pierced - violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Pair of ebony violin fingerboard shape and sized hollow fabrications 1758-1773
Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Eight ebony violin fingerboard shape and sized solid fabrications 1758-1773
Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Eight ebony violin fingerboard shape and sized solid fabrications 1758-1773
Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Pair of ebony violin fingerboard shape and sized solid fabrications 1758-1773
Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Eight ebony violin fingerboard shape and sized solid fabrications 1758-1773
One of eight long pieces of ebony, partly pierced - violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Pair of ebony violin fingerboard shape and sized hollow fabrications 1758-1773
One of eight long pieces of ebony, partly pierced - violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Pair of ebony violin fingerboard shape and sized hollow fabrications 1758-1773
Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Eight ebony violin fingerboard shape and sized solid fabrications 1758-1773
One of eight long pieces of ebony, partly pierced - violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Pair of ebony violin fingerboards, shaped and sized hollow fabrications 1758-1773
Short piece of ebony, partly sunk to fit in back of one of the long pieces. violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Eight ebony violin fingerboard shape and sized solid fabrications 1758-1773
One of eight long pieces of ebony, partly pierced - violin fingerboards made by James Watt, Glasgow, Scotland, to the design of Charles Clagget, 1758-1769. Pair of ebony violin fingerboard shape and sized hollow fabrications 1758-1773
Single, compound and aquatic microscope, Buff model, inclinable and universal, compound body; 5 o.gs (nos.1,2,3,4,6; no.5 missing); live box; lieberkuhn carrier and two lieberkuhns each with lens, brass double-screwed adapter for o.gs when used as single magnifiers; 1 leiberkuhn in brass box; substage condenser lens in brass fitting with rod for attaching to stage; one cone for attaching to above; 1 hand forceps; 1 spring stage; 1 stage bullseye; 1 fishplate; 1 glass plate concave to fit opening for body when instrument used as single microscope; double concave lens; fits opening in stage plate; 4 concaves in brass mount; ivory box with rings and talcs; ivory and ebony plate fits opening in stage plate Single, compound and aquatic microscope
Microscope "selon Euler" by Vincent Chevalier: in mahogany case, no key, 1 eyepiece and cap, Selligues prism, sliding diaphragm (straight), stage condenser, ivory and ebony object plate, brass box for objects Microscope "selon Euler" by Vincent Chevalier, 1825-1826 1825-1826